Oil on canvas
110 х 82
State Russian Museum
Пост. в 1969 из Государственного Эрмитажа, Ленинград; ранее – собрание Ф. Ф. Нотгафта, Петроград–Ленинград
Laconic sculptural forms, austere draughtsmanship and light tones were all features of Boris Kustodiev’s Neoclassical quests of the 1910s. René Nothaft (née Kestlin) often sat for the artist, who was drawn to the Swisswoman’s original beauty and grace. She was married to his friend Fyodor (Friedrich) Nothaft, a leading Russian collector and publisher who later worked at the Hermitage.
Kustodiev, Boris Mikhailovich (1818, Astrakhan - 1927, Leningrad)
Painter. Studied under Vasily Savinsky and Ilya Repin at the Higher School of Art, Imperial Academy of Arts (1896-1903). Fellow of the Imperial Academy of Arts in France and Spain (1903-1904). Academician of painting (1909). Founding member of the New Society of Artists (1904) and member of the Union of Russian Artists (1907), World of Art (1910) and the Association of Artists of Revolutionary Russia (1923). Contributed to exhibitions (from 1900). Contributed to the periodical exhibitions of the Moscow Society of Lovers of the Arts (1900-1901), Spring Exhibitions of the Imperial Academy of Arts (1900-1903) and the exhibitions of the New Society of Artists (1904-1908), Union of Russian Artists (1907-1910), World of Art (1910-1924), Association of Artists of Revolutionary Russia (1923, 1925) and the International Exhibitions in Munich (1901, gold medal; 1909) and Malmo (1914, gold medal). Designed for theatres in Moscow and St Petersburg (from 1911).