This composition was one of the last occasions when Kuzma Petrov-Vodkin turned to a clearly designated symbolic allegorical and mythological source. The decorative tones are based on the artist’s own “trichrome” principle and the unique “set” form of his figures. A warrior bends over a spring, while nymphs or bathers flee in fright.

Petrov-Vodkin Kuzma

Petrov-Vodkin, Kuzma Sergeyevich
1878, Khvalynsk (Saratov Province) -1939, Leningrad
Painter, graphic artist, writer on art, history painter, portraitist. Studied at the Baron Stieglitz Central School of Technical Drawing (1895-97), under Abram Arkhipov and Valentin Serov at the Moscow School of Painting, Sculpture and Architecture (1897-1904), at Anton Aube''s school in Munich (1901) and private academies in Paris. Contributed to exhibitions (from 1898). Contributed to the Salon d''Automne (1906-07, 1908), Sergei Makovsky Salon (1909), Union of Russian Artists (1909, 1910), Golden Fleece (1909), Union of Youth (1910), World of Art (191124), Second Post-Impressionist Exhibition (1912), First Free Exhibition of Works of Art (1919), Association of Artists of Revolutionary Russia (1923, 1928), Four Arts (1925-29), World Exhibition in Brussels (1910) and the International Exhibitions in Rome (1911), Malmo (1914) and Venice (1924, 1928). Taught at the Elizaveta Zvantseva School of Painting and Drawing in St Petersburg (1910-15) and the Free Art Studios/Academy of Arts (1918-38). Honoured Artist of Russia (1930).